Humanist Studies & The Digital Age (Feb 2011)

Petrarch’s Poetics: From the Abyss of Representation to Creative Imitation

  • Luis Gonzalo Portugal

DOI
https://doi.org/10.5399/uo/hsda.1.1.1246
Journal volume & issue
Vol. 1, no. 1
pp. 145 – 150

Abstract

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This article examines concepts such as creative imitation and the impossibility of representation in order to suggest an ethic of reading in Petrarch’s Canzoniere. Such ethics illuminate possible new relationships between Renaissance and Baroque