„Singstimmen, erhebt euch!“: Überlegungen zur Vertonung japanischer Protestlyrik seit 1945

Abstract

“Rise up, Singing Voices!:” Reflections on Setting Japanese Protest Poetry to Music Since 1945. This article gives an overview of the tradition of setting Japanese protest poetry to music since 1945 and examines the relationship between the socio-political movement, poetry and music. In particular, it deals with the origin and development of the Utagoe movement, established shortly after the World War II, as well as the musical adaptation of politically relevant poetry, which has its origin in the tradition of Brecht’s song. These forms of setting Japanese protest poetry to music are associated with the poetic-musical works that were written immediately after the nuclear power plant accident in Fukushima in 2011.

Keywords

• utagoe movement
• hikaru hayashi
• bertolt brecht
• hanns eisler
• tamiki hara
• post-3.11 literature
• ryoichi wago
• tsubute-song