La figuración autorial de Castillo Solórzano

Abstract

Heir to a great extent to Lope, regular attender of the printing press and cultivator of almost all genres, Castillo Solórzano offers a propitious field for the analysis of self-representation strategies. These strategies are analyzed considering his publication sequence (from the notion of literary career), his sociability network, the field positions that he establishes in his prologues and, finally, his burlesque portraits published in his early volumes of poetry. Thus, this analysis permits to reveal a writing project and its various forms of affirmation.

Keywords

• Castillo Solórzano Alonso de
• printing
• sociability
• burlesque portrait
• self-representation