6. From Musical Psychology to Husserlian Phenomenology to Schenkerian Analysis

Abstract

This study is written at the suggestion of Master Octav Calleya, a disciple of Celibidache and Franco Ferrara, who addresses those passionate about Musical Phenomenology and Acoustics. It is not very technical, it is more an introduction to the “roots” of this scientific approach to music imposed by Celibidache, which can be an open gate for those who want to enter this vast universe of knowledge.

Keywords

• analysis
• acoustics
• musical phenomenology
• psychology