Multimodal Narratives for the Presentation of Silk Heritage in the Museum
Hansgeorg Hauser,
Cynthia Beisswenger,
Nikolaos Partarakis,
Xenophon Zabulis,
Ilia Adami,
Emmanouil Zidianakis,
Andreas Patakos,
Nikolaos Patsiouras,
Effie Karuzaki,
Michalis Foukarakis,
Aggeliki Tsoli,
Ammar Qammaz,
Antonis Argyros,
Nedjma Cadi,
Evangelia Baka,
Nadia Magnenat Thalmann,
Brenda Olivias,
Dimitrios Makrygiannis,
Alina Glushkova,
Sotirios Manitsaris,
Vito Nitti,
Lucia Panesse
Affiliations
Hansgeorg Hauser
Förderverein Haus der Seidenkultur (HdS), Paramentenweberei Hubert Gotzes e.V., Luisenstraße 15, 47799 Krefeld, Germany
Cynthia Beisswenger
Förderverein Haus der Seidenkultur (HdS), Paramentenweberei Hubert Gotzes e.V., Luisenstraße 15, 47799 Krefeld, Germany
Nikolaos Partarakis
Institute of Computer Science, Foundation for Research and Technology Hellas (ICS-FORTH), N. Plastira 100, Vassilika Vouton, GR-70013 Heraklion, Greece
Xenophon Zabulis
Institute of Computer Science, Foundation for Research and Technology Hellas (ICS-FORTH), N. Plastira 100, Vassilika Vouton, GR-70013 Heraklion, Greece
Ilia Adami
Institute of Computer Science, Foundation for Research and Technology Hellas (ICS-FORTH), N. Plastira 100, Vassilika Vouton, GR-70013 Heraklion, Greece
Emmanouil Zidianakis
Institute of Computer Science, Foundation for Research and Technology Hellas (ICS-FORTH), N. Plastira 100, Vassilika Vouton, GR-70013 Heraklion, Greece
Andreas Patakos
Institute of Computer Science, Foundation for Research and Technology Hellas (ICS-FORTH), N. Plastira 100, Vassilika Vouton, GR-70013 Heraklion, Greece
Nikolaos Patsiouras
Institute of Computer Science, Foundation for Research and Technology Hellas (ICS-FORTH), N. Plastira 100, Vassilika Vouton, GR-70013 Heraklion, Greece
Effie Karuzaki
Institute of Computer Science, Foundation for Research and Technology Hellas (ICS-FORTH), N. Plastira 100, Vassilika Vouton, GR-70013 Heraklion, Greece
Michalis Foukarakis
Institute of Computer Science, Foundation for Research and Technology Hellas (ICS-FORTH), N. Plastira 100, Vassilika Vouton, GR-70013 Heraklion, Greece
Aggeliki Tsoli
Institute of Computer Science, Foundation for Research and Technology Hellas (ICS-FORTH), N. Plastira 100, Vassilika Vouton, GR-70013 Heraklion, Greece
Ammar Qammaz
Institute of Computer Science, Foundation for Research and Technology Hellas (ICS-FORTH), N. Plastira 100, Vassilika Vouton, GR-70013 Heraklion, Greece
Antonis Argyros
Institute of Computer Science, Foundation for Research and Technology Hellas (ICS-FORTH), N. Plastira 100, Vassilika Vouton, GR-70013 Heraklion, Greece
Nedjma Cadi
MIRALab, CUI, University of Geneva Battelle, 3rd Floor 7, Route de Drize, CH-1227 Carouge, Switzerland
Evangelia Baka
MIRALab, CUI, University of Geneva Battelle, 3rd Floor 7, Route de Drize, CH-1227 Carouge, Switzerland
Nadia Magnenat Thalmann
MIRALab, CUI, University of Geneva Battelle, 3rd Floor 7, Route de Drize, CH-1227 Carouge, Switzerland
Brenda Olivias
Centre for Robotics, MINES ParisTech, PSL Universite Paris, 75272 Paris, France
Dimitrios Makrygiannis
Centre for Robotics, MINES ParisTech, PSL Universite Paris, 75272 Paris, France
Alina Glushkova
Centre for Robotics, MINES ParisTech, PSL Universite Paris, 75272 Paris, France
Sotirios Manitsaris
Centre for Robotics, MINES ParisTech, PSL Universite Paris, 75272 Paris, France
In this paper, a representation based on digital assets and semantic annotations is established for Traditional Craft instances, in a way that captures their socio-historic context and preserves both their tangible and intangible Cultural Heritage dimensions. These meaningful and documented experiential presentations are delivered to the target audience through narratives that address a range of uses, including personalized storytelling, interactive Augmented Reality (AR), augmented physical artifacts, Mixed Reality (MR) exhibitions, and the Web. The provided engaging cultural experiences have the potential to have an impact on interest growth and tourism, which can support Traditional Craft communities and institutions. A secondary impact is the attraction of new apprentices through training and demonstrations that guarantee long-term preservation. The proposed approach is demonstrated in the context of textile manufacturing as practiced by the community of the Haus der Seidenkultur, a former silk factory that was turned into a museum where the traditional craft of Jacquard weaving is still practiced.