I, Myself and Me Again

Abstract

This text presents a study of the piece 'I, Myself and Me Again' and aims to reflect on the possibility of displaying on stage an image of the contemporary subject based on the use of interactive technologies. The strategies devised by the dancers in this interactive environment consist mainly of generating a range of alterities. This gives way to a notion of the subject as a multiple rather than indivisible concept, one who is in the process of constructing himself through an emerging dialogue between the multiple facets of his identity.