La médiatisation de lieux interdits de tournage
Abstract
Banned audiovisual material created by incarcerated amateurs can be shared online on certain social networks. These platforms make it possible to broadcast live videos from anywhere, as long as the person producing the content has an Internet connection. This raises issues regarding the legitimacy of allowing any YouTuber to broadcast their views. In this article, the author investigates the trajectory of a filmed non-fiction document produced in prison and broadcast on YouTube.
Keywords
