Modern Iranian Ghazal and New Aesthetic Aspects of Beloved

Abstract

Abstract Beloved is the axis of persian lyric poem and the description of beloved and invention related images have a colorful presence in the Persian love poem; Poets have always spoken about the beloved's lips, eyes, hair and depicted the dimensions of the beloved's beauty. The aesthetics of the beloved in traditional ghazal is a repetitive and stereotyped, and poets have often depicted the same aspects of beauty in the beloved; It seems like all poets had a single lover and this factor was caused by not relying on individual experiences and reality in description of beloved. This approach in aesthetic aspects of beloved, changed in persian modern Ghazal; this change result of relying to individualism, realism and emphasis on personal vision. With empiricism, individualism, realism and emphasis on personal vision, poets depict the lover as she is, and by creating images different from traditional ghazal about the beauty of the beloved, they do not repeat boring images. This article with a descriptive-analytical method, an attempt has been made to explain this change of approach in the contemporary persia ghazal in the image of the aesthetic aspects of the beloved. new and unprecedented images and descriptions of the aesthetic aspects of beloved have been investigated and analyzed. The result of the present research shows a change in the approach of contemporary persia ghazal in the description and imagery of the beloved.

Keywords

• keywords: modern persian ghazal
• beloved aesthetics
• innovation
• imagery
• description