Male Beauty in the Eye of the Beholder? Guys, Guises and Disguise in Patrick White’s The Twyborn Affair

Transnational Literature. 2012;4(2)

 

Journal Homepage

Journal Title: Transnational Literature

ISSN: 1836-4845 (Online)

Publisher: Flinders Humanities Research Centre

LCC Subject Category: Language and Literature: Literature (General)

Country of publisher: Australia

Language of fulltext: English

Full-text formats available: PDF

 

AUTHORS

Jean-Francois Vernay

EDITORIAL INFORMATION

Double blind peer review

Editorial Board

Instructions for authors

Time From Submission to Publication: 27 weeks

 

Abstract | Full Text

Peer reviewed article. “Beauty is in the eye of the beholder”, which first appeared in the 3rd century BC in Greek, quickly gained proverbial currency in the English language thanks to its wisdom. Admittedly, whenever beauty has been acknowledged, one should take it primarily as a comment on the beholder rather than on the model. In heterosexual relationships, male beauty would thus be informative of the female gaze and conception of aesthetics. But what of homosexual relationships? Logically, male beauty would inform as much on the aesthetics of the beholder as on the canons of male beauty through the representation of the perfect man. Now what if the male model appeals to both male and female beholders? Can gay men and straight women share the same aesthetics of the male body? Do they seek and value the same things in a partner? And then what if the male model switches to female beauty all the while sustaining an unflinching power of seduction? Would that prove that beauty is genderless or would that mean that desirability is unrelated to beauty? On a creative level, when White depicts an ambiguous protean protagonist, beauty essentially relies on his characterization skills. But is male beauty objectively inherent to the model or is it solely to be found in the novelist’s subjective representation of his central character?