Travessias (Sep 2012)
A POSE FOTOGRÁFICA EM TRÊS MOMENTOS DE KÔ: O RETRATO FOTOGRÁFICO COMO REPRESENTAÇÃO DO TEMPO NO OLHAR DE HARUO OHARA
Abstract
The objective this article is to promoter a debate about the portrait in its condition of shared memory. We taking with reference for the present study, three portraits of K Sanada by Haruo Ohara among the years of 1940-1973. These pictures evidenced the construction to look about the body and the time how gets involved. Proposed to debate the art of the portrait how result of one action of complicity and learning between the model and photographer, in the perspective of to debate the constitution of an affective iconography of the time.
