poum et cinéma: entre art et Révolution (1936-1937)

Abstract

Here we have a preliminary study to understand the poum’s point of view about cinematographic art. In a context of civil war, we have to wonder about the choices which are made in the diffusion of films: which criteria come into play and how they made the selection in relation to the dissident Marxist ideology.

Keywords

• cinema
• art
• revolution
• poum
• Marxism