Emancipaciones identitarias indígenas en el teatro de fronteras

Abstract

This article presents a reflection on the racism as a consequence of a social pattern of power that has its origin in the conquest, but that continues today. From the critical vision of Aníbal Quijano and Bolívar Echeverría, the discomfort and indigenous identity emancipations that appear in the plays of the playwright Víctor Hugo Rascón Banda are analyzed. It is in this theater of borders where the subversive integration of the dominated into the dominant is observable.

Keywords

• racism
• colonial pattern
• border theater
• emancipation
• indigenous