Representational Politics in Bollywood Sports Movies of the 21st Century: Empowering Women through Counter Cinema

Abstract

In its bid to map out the portrayal of women in sports films in mainstream Bollywood, the paper would initially highlight the shifting paradigm of Hindi Film Industry post-liberalisation. As a by-product of this, one could also discern a marked change in the representation of women characters on screen. The paper wishes to concentrate on such representations in 21st century sports movies. In movies where the crux of the narrative rests on either a sport or a sporting event, as in Lagaan, Stumped, Jannat, Kai Po Che, Patiala House, M.S. Dhoni etc, women characters, even at the turn of the century, are ideologically constructed through dominant male gaze. Rather than independent individuals, they become mere signs that can be analysed as structure, code and convention. The paper would proceed next to take into account two movies centring around women athletes – Chak de India and Dangal – to puncture the pompous assertion of women power as depicted in them. The situation worsens here, for the female subjects are made to bear the burden of a male lack in order to provide the male subjects with the illusion of wholeness and unity. More than the feelings of women athletes, the directors tell stories of injured male egos which need to be nourished by feminine care and sacrifice. In this sense, they bask in the reflected glories of their male partners. Thus these representations are extremely gendered with little scope for women empowerment. The scenario, however, is not completely bleak, for there are male filmmakers interested to walk a divergent way, to tell their stories from the perspectives of women athletes. The paper would conclude with two such counter-cinemas – Dil Bole Hadippa and Mary Kom – that challenge the workings of power relations operative in other sports movies in Bollywood and give attention to feminist issues and views. The road, at times, is bumpy, for Dil Bole Hadippa didn’t do brisk business; yet box-office success of Mary Kom and Priyanka Chopa wining National Award for the film point to the capacities of women athletes in Bollywood movies to look ahead of male strategies of subjugations and curve out a niche for themselves on individual merits.

Keywords

• Laura Mulvey
• Kaja Silverman
• Bollywood sports movies
• post liberal
• masquerade
• counter cinema