هنر اسلامی (Aug 2022)

The position of jurisprudence in Islamic art with emphasis on the perspective of the owner of jewelry and business owners

  • Fateme Hasanpour,
  • Hormoz Asadikahbad,
  • Mohamadrasoul Ahngaran

DOI
https://doi.org/10.22034/ias.2020.253946.1415
Journal volume & issue
Vol. 19, no. 46
pp. 86 – 98

Abstract

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Iranian society is in the transition from a period of civilization to a new world. The world in which we have found through exploration and effort that the foundation of civilization development depends on "thought for change and progress" and that the authority of a system as a result of legitimacy and efficiency is based on the authority of "science development". in reality; Found in the culture of the past, "vulgarity" is more dangerous to the audience than it is to the unpleasant attribute effect. In fact, the use of the vulgar adjective is essentially for the audience, and the critic, with such a label on the work, sounds the alarm for the audience; Because if the subconscious of the audience communicates with vulgar works, it must leave the field for many years so that the audience, after being saturated with vulgarity, becomes familiar with the concept of art again. Analysis of jurisprudential opinions The owner of the jewelry is the subject of this article.research goals:1- Examining the position of jurisprudence in Islamic art with emphasis on the perspective of the jeweler2- Examining the position of jurisprudence in Islamic art with emphasis on the perspective of the owner of the professionresearch questions:1- What is the position of jurisprudence in Islamic art from the perspective of the jeweler?2- What is the position of jurisprudence in Islamic art from the perspective of the owner of the profession?

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