Las Pequeñas Maniobras de Sebastián en la novela de Virgilio Piñera

Annali di Ca’ Foscari. Serie Occidentale. 2015;49(1) DOI 10.14277/2385-3034/AnnOc-49-15-2

 

Journal Homepage

Journal Title: Annali di Ca’ Foscari. Serie Occidentale

ISSN: 2499-2232 (Print); 2499-1562 (Online)

Publisher: Edizioni Ca’ Foscari

Society/Institution: Ca'Foscari University of Venice

LCC Subject Category: Language and Literature: Philology. Linguistics: Language. Linguistic theory. Comparative grammar

Country of publisher: Italy

Language of fulltext: Russian, Spanish; Castilian, French, German, English, Portuguese, Dutch; Flemish, Italian

Full-text formats available: PDF

 

AUTHORS

Cecere, Fabiola (Università Ca’ Foscari Venezia, Italia)

EDITORIAL INFORMATION

Double blind peer review

Editorial Board

Instructions for authors

Time From Submission to Publication: 32 weeks

 

Abstract | Full Text

This article analyzes the perspective of everyday life in a society that greatly influences behavior and thinking of the main character and narrator of the novel Pequeñas Maniobras (1963), by Cuban writer Virgilio Piñera. Due to the difficulties introduced by censorship, reception of his work encountered obstacles during the author’s life and very few criticism is now available about this text. The novel offers a particular reading of life and reality that the main character, Sebastián, proposes in the first person. The elements of everyday life I will examine are those connected to the ‘no-actions’ and the ‘no-dialogues’ of the protagonist in a corrupted society, in which he feels alienated; but, at the same time and just through these behaviors, he ‘contributes’ to its development. Moreover, I will study possible parallelisms between the protagonist and the author, involved in this paradoxical social game. From a reflection on the literary genre used, including the diary, memoirs and confessions, I will show how this ‘daily exercise’ is well suited to the intentions of the writer. In addition, based on the reflections by Maurice Blanchot and Guy Debord, along with scholars who have analyzed the literary universe of Virgilio Piñera, I will examine remarkable behavioral and linguistic aspects of the protagonist in this story.