Representation of War Events in the Creative Work of Theatre and Film Directors
Abstract
The purpose of the article is to carry out a comprehensive analysis and identify the peculiarities of directorial creativity in Ukrainian theatre and cinema institutions in terms of reflecting the events of the Soviet- German war. Research methodology. The methods of scientific analysis, comparison, and generalisation are comprehensively applied in the development of the topic. The article uses an interdisciplinary approach based on the involvement of such general scientific methods as a system of theoretical methods (induction, deduction, identification, complex artistic analysis, synthesis), which made it possible to study the factual basis of film distribution in cooperation with theatre artists. The typological method made it possible to examine common artistic principles in the creative pursuits of theatre and film masters. The analytical and systematic methods were used to examine the art historical aspect of the problem. The scientific novelty of the research lies in the fact that it clarifies the interaction between theatre and cinema directing, outlines the main factors of interaction between the performing arts, and highlights the impact of socio-political processes on the activities of theatre and cinema. Conclusions. The director's means of representing the events of the war in theatre and cinema are outlined. The role of directors in highlighting the achievements of masters of theatre and cinema is shown.
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