Caricatures, Canards, and Guignols: Satirical Journalism in France from the French Revolution to Fifth Republic

Abstract

The special status of satire in France is examined historically from the French Revolution to the Fifth Republic. It is argued that satire in France functions with a normative reference to the secular, universalist Jacobin values (hostile to church, aristocracy, and monarchy) that underpinned the foundation of the French Republic. Since the French Revolution, French journalistic satire has, in different ways, perpetrated what can broadly be categorized as either lèse majesté or blasphemy. Given France’s turbulent history over the past two centuries, satire has frequently been used as an instrument to reaffirm the Republic’s values vis-à-vis authoritarian regimes with different characteristics. The symbolic connection between satire and the French Republic’s founding mythology has conferred upon the idiom a special status that endures today. The Fifth Republic, however, has presented a unique challenge to satire because of its authoritarian institutional character with personal power in the hands of the head-of-state. Three case studies are examined: the newspapers Le Canard Enchaîné and Charlie Hebdo and the satirical television program Les Guignols de l’Info. Today satire has found expression on online social networks in the form of memes, gifs, and videos. This marks a shift from satire produced by journalistic elites to more diffused and socially distributed satirical mockery.

Keywords

• satire
• France
• journalism
• <i>Charlie Hebdo</i>
• <i>Canard Enchaîné</i>
• <i>Guignols de l’Info</i>