Go-Go Music and Racial Justice in Washington, DC

Abstract

In 2019, a noise complaint from a new, white resident of Shaw, a historically Black neighborhood of Washington, DC, led a local MetroPCS store to mute the go-go music that the storefront had played on its outdoor speakers for decades. The cultural and social implications of muting go-go music, a DC-originated genre of music that has played a central role in DC Black culture, inspired a viral hashtag, #dontmutedc, on social media, as well as a series of high-profile public protests against the muting. The #dontmutedc protests highlighted the increasing impact of gentrification on DC’s Black communities, and connected gentrification to several other important social issues affecting Black DC residents. In the wake of the #dontmutedc incident, several DC-area activist organizations have integrated go-go music into major, public-facing racial justice projects. The first part of this article presents a brief history of go-go music and race in DC community life, mainstream media, and law enforcement in order to contextualize the work of go-go-centered activist work in the aftermath of the #dontmutedc protests. The second part of this article highlights the go-go-centered activist work of three organizations: the Don’t Mute DC movement, Long Live Go-Go, and the Go-Go Museum and Café. These movements’ projects will be used to categorize three distinct approaches to go-go-centered racial justice activism in the Washington, DC, area.

Keywords

• go-go music
• racial justice
• Don’t Mute DC
• Long Live Go-Go
• Moechella
• Black studies