Color and composition under big data technology: the art of visual communication in film art

Abstract

In modern film art design, there are different kinds of art requirements to be involved. These artistic requirements embody our profound national culture in modern film art, making the organic combination of art and culture, which in turn achieves the promotion of art and provides more excellent traits for the development of modern film visual communication. At the same time, modern film design draws on traditional art from five aspects: composition, perspective, image, color and allegory, and applies its advantages and strengths completely to the process of modern film art design. Among them, the most important is the modern color and composition design. To illustrate the art of visual communication in film art cannot be separated from color and composition. In this paper, we analyze the dynamic changes of higher-order aberrations of near-eye and ortho-eye groups over time, find the turning point of the dynamic changes of higher-order aberrations, and compare the differences between the dynamic changes of higher-order aberrations of the two groups by interaction analysis. By analyzing the application of modern color and composition design in film, it is concluded that the art effect of modern film is inseparable from the design elements, and the color and composition influence caused by the product of the combination of design elements for human senses.

Keywords

• modern film art design
• visual communication
• big data background
• methods of adaptive optics
• color and composition design
• 78a10