Projets de Paysage (Jan 2011)

« Paysages avec figures absentes » : La peinture d’Elsa Maldiney

  • Éliane Escoubas

DOI
https://doi.org/10.4000/paysage.21684
Journal volume & issue
Vol. 5

Abstract

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Elsa Maldiney's painting offers several stages. One of them, among the first ones, up until 1960 without a doubt, is probably the one of painting landscapes – but landscapes which are not landscape-shows but landscape-milieus engendered by the march of an invisible walker. The last stage, from the last decade of the 20th century and since 2000, is the one of a purely abstract painting, of a coloured energy, of outbursts, ruptures, and meetings – in a word: the one of a field of tensions, which is rhythm.

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