Standing Still and Cutting in Line

Abstract

The queue, or the line, is a defining feature of modern life. This paper examines this ubiquitous form in India as a species of comportment. It offers an ethnographic assessment of queues in Delhi. They are grouped into two types: the ‘massified’ queue, drawing on Jean-Paul Sartre’s work; and the ‘interactional’ queue, framed by Erving Goffman’s writings. The paper discusses heavily policed queues, whose linear and serial character is produced by institutional authority. These forms suggest that elites engineer such comportment as a sign of rational distribution and civic order. The paper then illustrates the interactional dynamics of queues from within. Queues are shown to be sites of subtle signalling, where social entitlements are contextually processed. The queue’s enforcement via external authority is thus leavened by auto-generated adaptations. By offering a fine-grained description of how queuing unfolds, the paper seeks to illuminate political norms and public conduct in a postcolonial democratic milieu.

Keywords

• India
• queue
• lines
• comportment
• discipline
• public sociality