A Pool of Water: Backyard Borders between Cuba and the United States

Abstract

Response to Glenda León’s installation artwork Sueño de verano (“Summer Dream,” 2012) and Juana Valdes’s installation artwork, Te-Amo (“I-Love-You,” 2007)

Keywords

• transnational american studies, cuban american transnationalism, cuban american art, glenda león, juana valdes