Polish Journal of English Studies (Jun 2024)

John Banville’s Novels of the Early Twenties: Terminations and Turns

  • Barbara Puschmann-Nalenz

Journal volume & issue
Vol. 10, no. 1
pp. 24 – 49

Abstract

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The article starts from the observation that Irish fiction has recently shown a diversification, which can be summarised as follows: on the one hand there are works addressing the history of Ireland, on the other hand we see novels focusing on post-national topics (cf. Haekel). John Banville, who under the pseudonym of Benjamin Black also wrote crime novels, is a renowned representative of narrative fiction informed by contemporary philosophy and aesthetics, exploring questions such as memory, cognition, and personal identity. My article reveals how in his latest (and allegedly last) literary novel The Singularities (2022) his highly sophisticated character narration reaches a terminal point, as self-reflexivity, textual referentiality, and abstraction become unsettling. However, the complexity of placing his work in literary history has intensified by the appearance of three more novels published between 2020 and 2023 under Banville’s own name despite the supposed finality of The Singularities. Surprisingly, Snow (2020), April in Spain (2021) and The Lock-Up (2023) revisit dismal topics from Irish national history. These thematically (trans)national fictions also enhance the propositions of realism in Banville’s work. They present another hybrid form of narrative genres, blending crime fiction and historical novel, infused with philosophical reflection. The writer evades a categorisation. With The Singularities, Banville wishes to take his departure from the philosophical novel, as it seems with the intention to continue writing his new kind of murder mystery. The Lock-Up will be followed by another crime novel in October 2024. The Singularities, I wish to show in my analysis, points at the exhaustion due to a self-reflexive probing of the subject, the unreliability of knowledge, and the impossibility of truthful representation. Reality appears gloomy, yet in the end art surfaces as a source of freedom and imaginativeness for the individual and prospering kinds of fellowship.

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