Index Comunicación (May 2018)
The Disney princesses and the construction of “silenced” Digital Humanities in animation cinema
Abstract
One of the main ways of controlling power is to prohibit access to speech. Indoctrination through silence places women in a lower stratum in the digital narrative of animation film and, therefore, in society. This article reflects —from a qualitative perspective— on various aspects of Disney princesses' children's cinematography: the images of their characters, their representations, their speeches and their silences are analyzed with the intention of denaturing this type of fictions, since education, participation, transgression, perverse reading and the alternative view are the basis for recovering the freedom to create stories and identities. We start from making visible the mechanisms of audiovisual creation and the ways of suggesting to the public that they are essential elements to avoid manipulation and we conclude with the need to provide literacy in the media from schools so that the Digital Humanities can be built with such solid pillars as equality, critical thinking and humanist values, with which to give coherence to our existence.