Tracing the <i>Satipaṭṭhāna</i> in the Korean Ganhwa Seon Tradition: Its Periscope Visibility in the Mindful <i>hwadu Sisimma</i>, ‘<i>Sati-Sisimma</i>’

Abstract

The Buddha is said to have awakened to the true nature of existence and attained final liberation from suffering through the practice of Satipaṭṭhāna. This practice begins by addressing sensations from the processes of body and mind, as characterized by ‘bare attention’ and ‘clear comprehension’ through non-judgmental observation, ultimately effecting a transformation into a unique religious experience. During its transmission to East Asian countries, particularly in the Chan tradition, the essence of Satipaṭṭhāna-sutta has become transformed, while maintaining the theme of intense concentration, perhaps in the form of ‘counter-illumination’—an extended equivalent of ‘bare attention’. Not much has been written on which aspects of the Indian contemplative tradition were passed on to the Chan/Seon schools. In the Korean Ganhwa Seon practice, however, there are some indications that the spirit of Satipaṭṭhāna, resonating as a role of sustained attention with mindfulness, has been partially manifested, having crystallized into the mindful hwadu called Sisimma, or ‘Sati-Sisimma’. To substantiate this, this paper investigates how the two seemingly different practices can be seen to link together in the Korean Seon tradition, and proposes pari passu meditative parallels, Satipaṭṭhāna and Sati-Sisimma, recommending for an ‘attentive’ mode and a ‘non-attentive’ mode respectively, in modern meditative practices.

Keywords

• <i>Satipaṭṭhāna</i>
• mindful <i>hwadu</i> <i>Sisimma</i>
• <i>Sati</i>-<i>Sisimma</i>
• bare attention
• counter-illumination
• Chan/Seon/Zen
• Korean Ganhwa Seon