The Extraordinary Range Details as Structural Unit in Establishment Art

Abstract

The purpose of the article is to form the main features of the variety number as a structural unit of pop art, as a separate logically and compositionally constructed performance of one or more performers, combining genre types of other arts whose commonality lies in the close rapprochement of performers and the public, in concordance, mobility and entertainment. Research methods. The etymological method has been used to determine the concept of «variety art» origin; The comparative method allowed the comparative analysis of the small forms signs in art; The semiotic method has been used by the authors for the analysis in the corresponding terminology, and semantic has been used for the analysis of their meanings; the analytical-conceptual method allowed the authors to define the concept of variety number as a «molecule» in pop art, and the systematic method has been used by the authors to systematize the key features in the variety number. The novelty of the study is that for the first time, in the science of art studies the main features of the variety number as a synthetic artistic phenomenon have been systematized as an independent structural unit in pop art, its specifics, and, consequently, differences from other small artistic forms. However, the authors offer their own interpretation in the definition of «pop number». Conclusions. Variety number is a synthetic artistic phenomenon, representing the «atom» of pop art, its relatively independent structural unit in the form of a logical and compositionally constructed performance of one or more performers. The key features of the variety number are its synthetic, short, content, concise, vivid entertainment, dynamism, mobility, relevance, entertainment and direct contact of performers with the public.

Keywords

• естрадне мистецтво
• естрадний номер
• естрадні жанри
• «легкі» жанри