La série, outil de promotion et de démarginalisation des espaces ? Le cas de la Wallonie

Abstract

In 2013, the Walloon-Brussels Federation and RTBF created a series fund that aims to make French-speaking Belgium emerge as a land of series creation likely to appeal to an international audience. Wallonia, for a long time on the bangs of the geography of series, has become part of it and, since ‘La Trêve’ in 2016, has hosted multiple film shoots of works that could, beyond their economic and spatial effects, propose other forms of writing of the Walloon space and move the lines of representations associated with this territory often referred as 'in crisis'.

Keywords

• Spatial representations
• Series
• Margin
• Film tourism
• Audiovisual industry
• Wallonia