Consecrating the Peripheral: On the Ritual, Iconographic, and Spatial Construction of Sui-Tang Buddhist Corridors

Abstract

The corridor-enclosed cloister characterized Buddhist monasteries during the Sui and Tang periods. This architectural form was first introduced by Emperor Liang Wudi from the palace and continued to prevail until the eleventh century, when a gradual transformation occurred, resulting in the corridor evolving into a long, narrow image hall. This paper examines the ritual and pictorial programs of the Sui-Tang Buddhist corridor to gain insight into this transformation and its ceremonial significance. Specifically, it explores how the corridor was empowered by the state-sponsored maigre feast as a place of worship and how the monastic community of a particular school appropriated the space to celebrate an unbroken dharma-transmission lineage from the Buddha to a specific group of Chinese patriarchs. Lastly, the paper aims to comprehend the adaptation of the corridor into an image hall, which was influenced by political and religious shifts in the eleventh century when Buddhist monasteries were no longer designated as the ritual arena for the state-sponsored maigre feast.

Keywords

• Buddhist corridor
• paintings of divine monks
• maigre feast
• Sui and Tang