Anales de Historia del Arte (Oct 2008)

Pintura e imprenta a inicios de la escisión portuguesa. Velázquez y la imagen de la Monarquía de Felipe IV

  • Diego Suárez Quevedo

Journal volume & issue
Vol. 0, no. 0
pp. 229 – 244

Abstract

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The image of Philip IV’s monarchy according to the brushes of Velázquez, is valued and put in parallel with the contents of a publication, under Portugal’s auspice and legitimating his rupture, printed in Barcelona, 1644, and that encourages the revolt of Cataluña, in syntony with the France’s policy against Spain.

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