El nombre de la cosa: títulos, modelos poéticos y estrategias autoriales en el bajo barroco

Abstract

A review on the types of titles and its changes emphasizes the relevance of this element in the paratexts of the books of poetry and their effective participation in the tasks entrusted to the statement of preliminary in the period of manual printing. The analysis of linguistic typologies by Hoek and its consideration by Genette as generic value in the threshold for the printed work, we add the perspective of its historical dimension, with the alteration in diachrony between 1650 and 1750. The displacements of the conceptual models in the labeling of texts in the low Baroque (obras, Parnasian topics, ocio) and its systematic character confirm the validity given to this element by the authors when they are reconfiguring its relation with works and their movement in a literary republic under renovation.

Keywords

• titles
• books of poetry
• Parnassus
• leisure
• low baroque