Teatro callejero: opción estética para la creación de memória política

Abstract

This article seeks to analyze some relevant aspects to the creative process of Colectivo Obras Públicas (COPS) in carrying out the creative proces of the street play "Brigades". The play retraces the history of political murals in Chile, its background and influences, from its appearance (as Patricio Cleary states) the year 63, until the military coup ten years later, when this expression had become a wide spread professional artistic production, with its own particular methodologies.

Keywords

• Street Theater
• memory
• politics