Adaptation scénique des contes traditionnels algériens entre sauvegarde et renouvèlement : réécriture-traduction pour une réactualisation d’un patrimoine en voie de disparition ?

Abstract

This article focuses on stage adaptations of Algerian folk tales written and translated by Rabah Belamri and Marguerite Taos Amrouche targeting a young audience. In this study, we will try to determine if the translation/adaptation of these tales, that are charged with material and immaterial culturemes, is a rewriting which brings to life an orality doomed to disappear, or inversely, brings a new meaning in the target culture/language.

Keywords

• Stage adaptations
• rewriting
• translation
• Algerian tale
• culturemes