A Cannibal Planet

Abstract

The current article aims to study how the Brazilian artists Adriana Varejao used the different representation and appropriation strategies in her pictorial production and her installations. It also revises how her work is related to the processes of hybridization or cultural creolization.

Keywords

• arte contemporáneo
• Adriana Varejão
• pintura
• instalación
• Brasil
• canibalismo (en el arte)
• hibridación cultural
• posmodernidad
• neobarroco
• estudios de cultura visual