Screenworks (Mar 2024)

Safeguarding Transplanted and Indigenous Intangible Cultural Heritage in the UK

  • Ataa Alsalloum,
  • Monika Koeck

DOI
https://doi.org/10.37186/swrks/14.1/3
Journal volume & issue
Vol. 14, no. 1

Abstract

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This film examines the complexities of identifying and defining Intangible Cultural Heritage (ICH) among migrated, resettled, and native/indigenous communities in the UK (originating from England, Scotland, Wales and Northern Ireland). The ultimate goal is to discern strategies that not only recognise but also amplify this heritage's role in fostering social cohesion and moulding an inclusive national identity. We utilised a methodological approach encompassing observational studies of cultural practices, interviews with cultural practitioners, and the conduction of two public focus groups. Focusing on the Liverpool City Region (LCR) as a case study, we illuminated the transformative impact of a confluence of diverse cultures, resulting in adopting 'Transcultural Heritage' concept. This term, while not new, was explored, and we found that it denotes a heritage shaped by the interplay of diverse cultural influences, bolstering community unity. Our findings underscore the resilience-enhancing power of ICH and its role in community building. However, awareness of these traditions, both native and imported, remains limited. Engagement with ICH is diverse, with practices ranging from private familial rituals, often closely guarded, to public displays such as lion dances or Syrian culinary traditions. Preliminary efforts by community groups and local authorities to document existing practices have been noted. Importantly, our research highlights 'Transcultural Heritage' as a paradigm that could potentially redress identified challenges, fostering a society that upholds mutual respect and inclusivity throughout the UK.

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