Optical Medieval Music Recognition—A Complete Pipeline for Historic Chants

Abstract

Manual transcription of music is a tedious work, which can be greatly facilitated by optical music recognition (OMR) software. However, OMR software is error prone in particular for older handwritten documents. This paper introduces and evaluates a pipeline that automates the entire OMR workflow in the context of the Corpus Monodicum project, enabling the transcription of historical chants. In addition to typical OMR tasks such as staff line detection, layout detection, and symbol recognition, the rarely addressed tasks of text and syllable recognition and assignment of syllables to symbols are tackled. For quantitative and qualitative evaluation, we use documents written in square notation developed in the 11th–12th century, but the methods apply to many other notations as well. Quantitative evaluation measures the number of necessary interventions for correction, which are about 0.4% for layout recognition including the division of text in chants, 2.4% for symbol recognition including pitch and reading order and 2.3% for syllable alignment with correct text and symbols. Qualitative evaluation showed an efficiency gain compared to manual transcription with an elaborate tool by a factor of about 9. In a second use case with printed chants in similar notation from the “Graduale Synopticum”, the evaluation results for symbols are much better except for syllable alignment indicating the difficulty of this task.

Keywords

• optical music recognition
• historical document analysis
• medieval manuscripts
• neume notation
• fully convolutional neural networks
• chant music