Il processo rielaborativo di Johann Georg Pisendel in alcune Sonate per violino e basso continuo

Abstract

A detailed analysis of four concordant movements, taken from five autograph sonatas for violin and basso continuo by Johann Georg Pisendel, allows us to identify some compositional and reworking methods of the German musician. The alternative versions recorded in these manuscripts seem to derive frequently from performing and improvisatory practice.

Keywords

• johann georg pisendel
• violin sonata
• autograph
• concordance
• compositional process
• second thoughts