Genealogy of Farah Izadi's power paintings in Shahnameh myths based on Michel Foucault

Abstract

The civilization and culture of nations are formed from components such as originality, civilization and idealism and with political and social power remains stable.Power is a social relationship and literature is mythical and epic is the best option to get acquainted with the civilization and culture of the people who are in the heart of history Myths and Kings themsleves were famous.Myths are the source of the worldview and aspirations of the people or race are.Farah Izadi and the influence of the power of this Farah Izadi is also one of these an old or ancient drinking fountains.Votes Foucault's genealogy looks at the themes of the history and traces of refuse or rejection of the power,but the different thier essenc is compeletly felt by historical methods.Foucault believes that power is a thing ,it is productive and produces identity and mentality.In this view, power doesn't come from a single source and not only the government or the Kings can be considered the source of power.In the Genealogy of mythology, the attention is paid to the origin, birth,and the origin of power and order that governs the world,but the perspective Foucault no one can far away from power,although no trace of the power can be found in the single person.King ,ruler or dictator sought.Power is spread at all levels and social angles extensive.This research is based on the Genealogy or family tree theories of Michel Foucault a french scientist examines the influence or effects of the"Power of Farah Izadi"among some Shahnameh myths.

Keywords

• genealogy
• mythology
• farah
• power
• foucault