Argentina, 1960: los caminos de la independencia. Tradición documental y configuración del campo cinematográfico

Abstract

The paper examines from a sociological point of view the fieldconfiguration of argentine film in the early years of the 60's putting special emphasis on therelation between the State and film business. From the discussion of the notion ofindependence, we analyze the position that cinema agents have within the productionof short films.

Keywords

• independent documentary
• short film
• State
• cinematography.