Review of ‘Sculpture Victorious: Art in an Age of Invention, 1837–1901’ at Tate Britain, 25 February to 25 May 2015

Abstract

This article reviews the exhibition ‘Sculpture Victorious’, which ran at Tate Britain from 25 February to 25 May 2015. It describes the exhibition, considers the curators’ approach in the wider context of nineteenth-century studies, and assesses its implications for the field.