Humanities Diliman (Dec 2011)

Ballet in the Dark: A Critical Review of Black Swan by Darren Aronofsky

  • Rina Angela Corpus

Journal volume & issue
Vol. 8, no. 2
pp. 157 – 160

Abstract

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Choreographing the life of a ballerina in an ominous psychological thriller is a highly gendered project that takes us to well-established suspects in the patriarchal schema of the ballet world. Black Swan’s filmmakers created a narrative out of a performance of the classic ballet Swan Lake, making it a mimicry of the life of the tragic heroine Nina Sayers (Natalie Portman). The symptomatic pathology of perfectionism haunts the lead character, revealing her manifest hubris while unmasking the systemic social conditioning of women in the ballet system. These women are driven to become tenacious competitors, pleasant and willing objects of a gaze and patronage that are traditionally male-defined and controlled.

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