Mudra: Jurnal Seni Budaya (Apr 2024)

Becoming an Active Subject: Women's Art Collective Eco-Artivism for Ecological Sustainability in Indonesia

  • Ambar Alimatur Rosyidah,
  • Dhiya Sahara Ulfa,
  • Hermin Indah Wahyuni

DOI
https://doi.org/10.31091/mudra.v39i2.2688
Journal volume & issue
Vol. 39, no. 2

Abstract

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This study explores the eco-artivism of women's art collectives for ecological sustainability by looking at actor-networks, eco-art as a non-human actor, and women's art collective negotiations. In Indonesia, eco-artivism is used to raise ecological awareness and strengthen socio-environmental protests in the ecological crisis. To explain the relationship of ecological sustainability in the artistic works of women's art collectives, we underline the connection between ecofeminism and Actor-Network Theory (ANT). We used a case study method with the Perempuan Pengkaji Seni (PPS) community, an art collective of female artists, workers, and researchers based in East Java, Indonesia. We find that the eco-artivism of women’s art collectives is an attempt to make women and nature become active subjects. These efforts can be seen in three resulting themes: the PPS network as a women's art collective, eco-art from the scars left by natural disasters to the impact of industrialization, and the negotiation of PPS as a women’s art collective for environmental sustainability.

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