A Case of Scenic Rewriting. Dino Buzzati's <i>Il mantello </i><br />

Abstract

This paper explores the passage from the tale Il mantello (1942) to the theatrical adaptation, with the aim of verifying the relationship between literature and theatrical code, investigating the idea of source text and its survival in code-switching.

Keywords

• Scrittura scenica
• Intertestualità interna
• Traduzione intersemiotica