Panorama (Oct 2018)
Playing the Race Card: Thomas Le Clear’s <em>High, Jack, Game</em>
Abstract
I immediately recognized that the instruments of his labor—brushes and a bucket of whitewash, used to brighten the walls of soot-filled homes—were often the stuff of racial satire and caricature in the nineteenth century. Was this a sympathetic portrayal of an African American or something much more complicated?
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