Le spectre à la fenêtre

Abstract

This article proposes to study the relationship between the spectral figure and the frame from the recurrent visual motif of the spectrum appearing through a window. Two films are analyzed and compared on this motif: The Innocents (1961) by Jack Clayton and The Tenant (1976) by Roman Polanski.

Keywords

• frame
• spectre
• gothic
• jack clayton
• roman polanski