Serbian Romantic Lied as Intersection of the Austro-Hungarian and Serbian (con)texts

Abstract

The authoress focuses on detecting Viennese cultural influences of the second half of the 19th century upon the composing of Josif Marinković’s solo song, the culture in which he educated himself, and on revealing elements characteristic of Serbian culture within which he composed.

Keywords

• serbian romantic lied as intersection of the austro-hungarian and serbian (con)texts