Problem of Ecology of Soul in Works by V. Astafyev and Zhang Wei

Abstract

The problem of ecology of a soul in the works by V. Astafyev and modern Chinese writer Zhang Wei is considered. Their common views on the ecological crisis in the spiritual sphere are established. Two lines of the artistic embodiment of the problem of ecology of a soul in the works of Russian and Chinese authors are revealed: an appeal to the motives and images of spiritual wandering and the creation of an ecological utopia. Special attention is paid to the artistic principles of creating an ecological utopia. The difference between these concepts is revealed: Astafyev’s ecological ideal is embodied in the life of the village Boganida (“King-Fish”), while Zhang Wei’s ideal can be comprehended through the philosophical concept of “entering the wild territory.” The relevance of the study is due, first, to the special role of V. Astafyev’s work in Chinese literature of the new era (after the Cultural revolution), including Zhang Wei’s works; secondly, to the importance of the problem of the ecology of a soul for society. The novelty of the study is due to the fact that for the first time the influence of Astafiev’s works on the work of Zhang Wei is analyzed in such detail. The authors come to conclusion that Zhang Wei, largely following the artistic principles of Astafyev in solving the problem of the ecology of a soul, created - on the basis of the tradition of the Russian author - original works taking into account his national culture.

Keywords

• ecology of a soul
• wandering
• man and nature
• ecological utopia
• v. p. astafyev
• zhang wei