Bishop Diego Ramírez de Villaescusa and his Relationship with Flemish Art

Abstract

This paper discusses the figure of Bishop Diego Ramírez de Villaescusa and his role as a consumer and principal of Flemish works of art. We are faced with a character integrated into the circles of political power, close to the last humanistic and cultural tendencies, whose professional career allowed him to approach the main artistic focuses of his time. As the main chaplain of the chapel of Juana, he had the opportunity to accompany her on her Flemish journey, thus accessing the luxury and sophistication of the Court of Philip the Beautiful. We will see how, taking advantage of the contacts that his position provided him, he acquired some high-quality pieces, like the book of hours of Leonor de la Vega, the Crucifixion tapestry or devotional panels, using them as present to caress different personalities. However, he would also acquire works for himself, demonstrating an interest in the art that was practiced in Brabant territory. We will also analyze the documented artistic works and their relevance to Villaescusa's understanding as patron of the arts.

Keywords

• arte flamenco
• mecenazgo
• libro de horas
• tapicería
• pintura.