Tipping the scales. The Interfering Worlds of Anthropocene: The Human Epoch

Abstract

The article analyzes the poetics of scaling-up and clashing scales in the documentary/essay film Anthropocene: The Human Epoch by Jennifer Baichwal, Edward Burtynsky and Nicholas de Pencier from 2018. It reconstructs and exemplifies the idea that a poetics of scale can be useful and necessary for a comprehension of the Anthropocene following the arguments of Derek Woods, Eva Horn and Hannes Bergthaller amongst others. For example, a poetics of scale can make graspable the tensions and contradictions between the human as a global force – the multiple assemblages of human beings, technologies, other beings and materialities – and the human as an individual. But, as I argue with Hannah Arendt’s observation on the ‘stature of man’ in the space age, smoothly scaling-up to a global, universal point-of-view also reinforces the distanced world view that is at the root of the global ecological crises. I finally argue for an audiovisuality of the climate crisis that connects understanding and realization to activism and climate justice movements.

Keywords

• film
• documentary
• scale critique
• Anthropocene
• Arendt (Hannah)
• poetics