<i>The Dharma Bums</i>: A (Fictional) Pseudo-Buddhist Hagiography, or a Pseudo-<i>ojoden</i>

Abstract

This paper analyses Jack Kerouac’s brief but intense conversion to American pseudo-Buddhism and the artistic effect of this biographical development, arguing that his conversion was total from a spiritual point of view and that its almost immediate effect was the production of a literary piece which should be read as a (fictional) pseudo-Buddhist hagiography, or a pseudo-ojoden. The article investigates Jack Kerouac’s life as the life of a modern American Buddha, as a person engaged in a constant quest for spiritual enlightenment, who imbued his work with a spiritual feeling derived from his personal, direct, albeit limited experience with spirituality. His novel, The Dharma Bums, is a (fictional) pseudo-Buddhist hagiography because it is (auto)biographical, and the central characters are portrayed as enlightened, “holy” beings.

Keywords

• hagiography
• Buddhism
• Jack Kerouac
• Buddhist novel
• <i>ojoden</i>