Филологический класс (Apr 2013)

Transcendence of Familiar: a Microcosm of One-act Petrushevskaya's Plays

Journal volume & issue
no. 1 (31)
pp. 33 – 36

Abstract

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This article is about poetic of L. Petrushevskaya's one-act drama. The methods of image compression in the world one-act dramatic action. Attention is paid to the problem of the place of action and organization of the stage space in the play “Hail Mary, Mother!” Problem space develops into a one-act drama text from local territorial conflicts to an existential level.

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